![Guillaume Cornet](/img/default-banner.jpg)
- Видео 115
- Просмотров 379 937
Guillaume Cornet
Австралия
Добавлен 10 окт 2011
@Guillaumecornetfilms
🎥 Plant Powered Cinematographer 🐢🌱
🎬 Creative Director @bluumediahouse
📍Currently creating on the Gold Coast
linktr.ee/guillaumecornetfilms
🎥 Plant Powered Cinematographer 🐢🌱
🎬 Creative Director @bluumediahouse
📍Currently creating on the Gold Coast
linktr.ee/guillaumecornetfilms
Видео
Ultra Slow-Mo Magic on Set! | Behind The Scenes with RED V-RAPTOR
Просмотров 2736 месяцев назад
Get ready for an exhilarating behind-the-scenes look at our latest commercial shoot, captured with the stunning RED V-RAPTOR camera! Experience the raw power of ultra slow-motion filmmaking as we dive into the heart of creative cinematography. Gear I use and recommend: (Please consider using these Amazon affiliate links if you are interested in these products. I receive a commission when you pu...
Unbelievable Day with Mazda BT-50: What REALLY Happened!
Просмотров 3269 месяцев назад
Pushing Boundaries with Aspley Mazda A big shoutout to Luke from Aspley Mazda for always pushing the boundaries when it comes to investing in creative content. His innovative approach to showcasing the Mazda lineup, particularly the BT-50, is something you don't want to miss! On set with Bluu Media House: www.bluumediahouse.com/ Gear I use and recommend: (Please consider using these Amazon affi...
FILM STRIP EFFECT TUTORIAL for VIRAL Instagram Reels and Tiktok - FINAL CUT PRO
Просмотров 6 тыс.2 года назад
FILM STRIP EFFECT TUTORIAL for VIRAL Instagram Reels and Tiktok - FINAL CUT PRO
These camera filters change everything!
Просмотров 6 тыс.2 года назад
These camera filters change everything!
BEST gimbal ring setup for the RED Komodo
Просмотров 6 тыс.2 года назад
BEST gimbal ring setup for the RED Komodo
Is the RED Komodo overkill for real estate videos?
Просмотров 7 тыс.2 года назад
Is the RED Komodo overkill for real estate videos?
Filming a Commercial on RED Komodo + RED Gemini | Australian Outback Adventure
Просмотров 2,2 тыс.2 года назад
Filming a Commercial on RED Komodo RED Gemini | Australian Outback Adventure
Is the RED Komodo any good for Vlogging? Auto Focus test
Просмотров 2,4 тыс.2 года назад
Is the RED Komodo any good for Vlogging? Auto Focus test
Kondor Blue Cages for RED Komodo and Sony A7SIII
Просмотров 1,6 тыс.2 года назад
Kondor Blue Cages for RED Komodo and Sony A7SIII
From Novice to Pro in Final Cut: 10-Minute Crash Course for Editors
Просмотров 5272 года назад
From Novice to Pro in Final Cut: 10-Minute Crash Course for Editors
Small Desk, Big Impact: DIY YouTube Studio Setup
Просмотров 7182 года назад
Small Desk, Big Impact: DIY RUclips Studio Setup
Level up your sound design in Final Cut Pro
Просмотров 6042 года назад
Level up your sound design in Final Cut Pro
DJI Air 2S MEGA comparison with Mavic 2 Pro, Phantom 4 Pro and Mavic Air 2
Просмотров 6 тыс.3 года назад
DJI Air 2S MEGA comparison with Mavic 2 Pro, Phantom 4 Pro and Mavic Air 2
I QUIT MY JOB - From Engineer to Filmmaker
Просмотров 3,7 тыс.3 года назад
I QUIT MY JOB - From Engineer to Filmmaker
BUDGET Cine Lens T/1.0 35mm RF perfect for Komodo!
Просмотров 7 тыс.3 года назад
BUDGET Cine Lens T/1.0 35mm RF perfect for Komodo!
RED Komodo at Night with a T1.0 Lens
Просмотров 8 тыс.3 года назад
RED Komodo at Night with a T1.0 Lens
Easy steps to built WEALTH doing what you love
Просмотров 6743 года назад
Easy steps to built WEALTH doing what you love
RED Komodo vs Sony A7sIII / The winner is...
Просмотров 92 тыс.3 года назад
RED Komodo vs Sony A7sIII / The winner is...
Why you should get the RED Komodo (or should you?)
Просмотров 12 тыс.3 года назад
Why you should get the RED Komodo (or should you?)
How to get that Cinematic look in Final Cut Pro
Просмотров 2 тыс.3 года назад
How to get that Cinematic look in Final Cut Pro
My RED Komodo 6K + Ronin S2 combo - Behind the scenes
Просмотров 11 тыс.3 года назад
My RED Komodo 6K Ronin S2 combo - Behind the scenes
Sony A7SIII + GM 12-24 and RS2 to film BETTER Real Estate videos!
Просмотров 45 тыс.3 года назад
Sony A7SIII GM 12-24 and RS2 to film BETTER Real Estate videos!
Is the RED GEMINI overkill for real estate videos?!
Просмотров 3 тыс.3 года назад
Is the RED GEMINI overkill for real estate videos?!
DIY CAR MOUNT - PART 2 - Real life test
Просмотров 10 тыс.3 года назад
DIY CAR MOUNT - PART 2 - Real life test
DIY CAR MOUNT - PART 1 - With less than $200!
Просмотров 15 тыс.3 года назад
DIY CAR MOUNT - PART 1 - With less than $200!
The BEST way to speed ramp in Final Cut Pro
Просмотров 5063 года назад
The BEST way to speed ramp in Final Cut Pro
Elle ne vaut plus que 5000€ now... le pire investissement possible
The suction cup for mirror will not gonna work for cars, because the surface of the cars is not flat, you not flexyble suction cup
I love the idea!
Awesome, incredible work.
Très beau travail de production, bravo Guillaume !
Hello. I am currently debating between the 14gm and 1224gm underwater wide angle lens for my Sony full frame camera. Although 1224gm is heavier, I don't think it will make much difference underwater, and some people say that 1224gm has more distortion. What do you think? I'm curious what more you recommend.
Bro can you paste your LR photo setting…..
Hello Guillaume comme tu es en focus manuel tu fais ton point sur l'infini j'imagine ?
non, ca depend de la scene. a F9 c'est pas trop important, mais a F2.8 tu veux faire attention
Im confused about this workflow. Is the LUT you are using a Correction Lut or a Creative Lut? Correction Luts usually go on first thing. Creative Luts go on at the end.
Would love to see a Gemini vs Komodo lowlight comparison !!
phantastic, thanks a lot 😄
Baby gimbal 😂
This was awesome thank you! I only have one question, what if you have the camera LUT to convert it properly, then can you apply a creative LUT on top of that? How would that process work?
Were your shooting raw or ProRes with the Komodo
Also, how do you export your files? Do you use the pro res option or H264? I get a warning when trying to export from h264 but the apple pro res option makes the file huge!
Great tutorial! I was curious where you got your Red conversion luts? The ones I saw on the Red website are different. I didn't see any Rec 709 luts.
C-17 jump is a bucket list for me. What a dream.
Very cool.
Can I please ask if you experienced any ghosting or reflection issues, which is common with front lens filters with light at certain angles ? I stopped using front filters because of ghosting and bad reflections when shooting hand held video with movement. If these clip in filters don't suffer from that because they are behind the lens that would be a very significant difference.
Thank you for making this video! I copied your techniques with minor adjustments, and it made a lion fish in my go pro video look that much more gorgeous 😀🙏
Fantastic!
@Guillaume Cornet This is a great video! I have a question, what are the last steps to all of this? Once you've color-corrected things and you're ready to export, what do you do exactly?
Just found your channel! Any update to this workflow now in 2023-2024? Also, What denoise plug in do you normally use if or when you need to use? The one built in the Final Cut (The latest version) kept crashing during rendering. Thanks😊
Touch and hold your screen, then slide your finger left to right it will move the gimbal It also works sliding your finger up and down.
Do these require cropping
no
incredibly helpful video bro, I learned a lot, ou should have started with the last tool though ;-)
Glad it was helpful!
Amazingly done! I have a Ronin S too and was wondering if anybody else uses it to balance heavy telephoto lenses. You nailed it! I can balance relatively well, but I learnt a lot from your video. Thanks and keep posting more.
Thanks a lot! Glad it helped!
Thanks for this.
My pleasure!
When recording 120 on both cameras does it also record sound?
Yes. The only difference is that on the Komodo, it will be recorded on a separate audio track whereas on the sony, it will be within the video clip
I installed RED apple workflow. My footage is all glitchy when I upload in FCP. Can you let me know what I could be missing?
Looks like a footage from another planet
Why is my footage already looking so saturated and not flat. What am I missing? I know it should be somewhere in the meta data, but can I reset it project wide, to be able to color correct and grade every clip? I badly need to add some mood to the footage and that is barely possible with everything being so saturated already. 🙂
Did you follow every step? The footage without any lut should be in a log profile
Thank you @@GuillaumeCornetfilms , yes I actually did. And I understand. And I was pretty sure I answered my question myself here, but the answer must have been disppeared somehow. Or maybe I just didn't really post it. I am sorry. I changed the R3D RAW settings (Color Space and Gamma) of my entire library and the clips in the timeline appeared flat as I expected. Now I am still cutting but will add an adjustment layer for the LUT later, and then color correct and grade the clips in the timeline. Got it! Thank you so so so much Guillaume! - Unfortunately I sold my Komodo in the meantime... 🙂
C'est si inspirant, félicitations, chapeau bas devant tant de motivation, de discipline et de travail dur !
merci!
Vidéo clair, précise, et très instructive. Je suis un amateur qui bidouille un peu depuis un peu plus d'un an en discontinu mais depuis quelques temps j'essaye de réellement améliorer le rendu de mes vidéos. Je connaissais un peu tous ces tricks mais je ne pensais pas que l'on pouvait pousser aussi loin la colorimétrie avec tant de minutie. Je n'avais jusque là jamais filmé en dlog/cinedlike etc et je ne comprenais pas pourquoi j'avais des résultats si médiocres à l'étalonnage. Je vais essayer maintenant de tourner en flat et voir si j'arrive à tirer mon épingle du jeu. Merci encore pour cette vidéo, me voilà désormais abonné !
bon courage!
Such a cool insight man! Loved it. Was thinking about that exact same setup with the RS3 Pro and that Digitalfoto Ringgrip since I am still rocking the OG Ronin 1 gimbal and it's starting to die. Cuz of batteries getting very hard to find
I wouldn't recommend the Digitalfoto though, I've got some issues with the power mount that is getting loose. Smallrig or Tilta's could be a better option.
@@GuillaumeCornetfilms reason why i consider this one is the fact that this ring grip lets the gimbal to hang substantially lower compared to the smallrig one. The Tilta one is way too high for my needs. (I am mostly filming lowered cars and getting a nice wheel shot with a Gimbal that high is simply not possible. Looks odd. But thanks for the insight man! Very much appreciated
@@pascalbraendle i agree for the tilta one and that one of the main reasons I didn't go with. Regarding the smallrig one, can it go underslung? I yes, I would even remove the bottom part of the ring, which I know is bigger for this one, this means you could technically touch the ground with the camera
Oh who this guy let’s go
yay
thanks for this particular comparison. well done. To me personally Air2s 5.4k resolution is really making a difference. Althou the colors are SO off compared to M2pro. I always liked M2pro footage MORE compared to air2s. It's just more filmic.. look more pro. and has more details in the shadows (in every clip I ve seen). M2pro for me. Despite lack of 4k60 and 5.4k modes.
crushing the game
Nice mate!
Great Tutorial my friend 😀👍
Thank you! Cheers!
How does the 1/8 diffusion compare to black promist 1/4? I wonder if the diffusion behind the lens has different effects in relation to the density?
Omg, amazing bro !! place?
NICE ONE!!!!
hallo nice job is that high angel good to shoot sport cars ?
Extremely helpful! This deserves way more views. Appreciate it dude 🙏🏻👊🏻
Appreciate it!
What software are you using?
final cut
I think Sony FX3 is better for vlogging
cool c'est normal hoody do you watch benni and jon olsonn
just a question , if I may ... do you have may ever made a film, I mean real movie ?
Hi if I’m going to shoot 5.6 and higher , is the Sony 12-24 f4 good enough?
I'd assume so. I haven't used that lens so can't really vouch for it
Do you shoot 4k60?
4K50 here in Australia yep